London (BST) 19:00-22:00
San Francisco (PDT) 11am-2pm
New York (EDT) 2pm-5pm
Brasilia (BRT) 15:00-18:00
Berlin (CEST) 20:00-23:00
'Transpofágico Manifesto' – by Renata Carvalho invites the public to look at a transvestite body introducing its historicity. - “My body came before me, without being asked”. As well as its constitution: “In a way, I became pregnant of myself. I gave birth to myself”. The social path of self-inflicted pain, mass incarceration, censorship, pathology, AIDS, the violent diaspora and trans / transvestite bodies murders led me to the conclusion: “I did not discover myself as a transvestite, society screamed this at me”. Carvalho's transopophagy consists in a public act of self-phage by devouring her own transcestrality, she is able to regurgitate it into art form, literature and / or education.
'Captain Chainsaw' – by Tiago Gambogi
A dictator in an exotic land starts to cut down trees non-stop for 1460 days. To his dismay and disbelief, he begins to transform into a tree. A surreal comic tale tackling environmental crimes and climate change with the use of contemporary clowning, pole dance and extraordinary costumes made of everyday objects.
'Sons of a bitch' – by Fernanda Mandagará explores the universe of motherhood. After having twins in the middle of a pandemic, Fernanda’s life and vision of the world changed drastically, leaving her in fragments (of love, fear, loneliness, tiredness, happiness and uncertainty). The performance brings more questions than answers, playing with pieces of identity to try figuring out how many facets a person can have, proving that “Yes sir, she (still) can boogie”.
'Scar' is Smiley Vidya last piece touching on the mental and physical scars associated with having her male body blend into her feminine identity. Scar is an evidence of an incident as well as a haunting nightmare of those incidents. Every Scar has a story that reveals the bullies, the careless treatment, the hate crimes of society. Scar always reminds how to stay strong. Scar is a brave story of what it takes to be a Transwoman.
'Performance Mediation' by Dr Maiada Aboud
“I chose performance as my means of challenging the patriarchy through the language of the body, by exploring gender and sexuality embedded in the female body, and the absent female sexual body that my culture has labeled as evil. I wanted and still want to inscribe my body in order to speak, using this art as a stage across which I could express my frustration and anger, and as a platform for my rebellion against the traditional conceptions of the image of ‘woman’ in the Arab world”.
Uplifting, Transgressive, Humorous, Fun, Entertaining
Type of format: Performance
Language: English/Portuguese with subtitles
Duration of session: 3 hours
Technical platform for the course: Zoom Pro
Group Ticket - is for groups of two or more people who will utilise one device to access the Zoom link purchased.
Concessionary Ticket - is only for job seekers, students and seniors with a low household income.
Bursary Ticket - is only for people living in countries classed by the World Bank as ‘low income' and 'lower-middle income’. Please click here for a list of countries qualifying for Bursary Tickets.
Please ensure that you book at least 30 minutes prior to the start of the course to allow time for you to receive confirmation emails and your entry link to Zoom. This is because we rely on third parties for confirmation etc. Please ensure you have read the Legal notices on our website before booking, in particular our notices regarding Privacy (including Privacy Considerations When Using Zoom), Refund & Cancellation, Disclaimers and Terms.